Write it down. Type it up. Read it out.

Points are given for making the murders sound convincing.

Of course, when given such a task, it s only natural to use what you know.

Secrets. Grudges. Affairs.

But once you ve put it in a story, that secret is out.

So with each fictional murder, someone gets a motive for a real one.

Which leads to the most important question:

When a real murder comes, will you be able to spot it in time?